Address: Agustín Pérez 12
Passage Opening: 1999
Responsible: Adriana Garcia, Victor Acosta
hours: Monday to Thursday from 20 to 22:30 pm.
E-mail: cirulaxiateatro@gmail.com
Tel: 0351-4712921
Website: www.cirulaxiateatro.com.ar
Thursday, March 22, 2007
How To Obtain A Mechanic Licence In Ontario
Address: Agustín Pérez 12
Passage Opening: 1999
Responsible: Adriana Garcia, Victor Acosta
hours: Monday to Thursday from 20 to 22:30 pm.
E-mail: cirulaxiateatro@gmail.com
Tel: 0351-4712921
Website: www.cirulaxiateatro.com.ar
Tuesday, March 13, 2007
What Is A Good Side With Fish
Document / Performing Arts Theatre Mary Chestnut
Lima 
Lima
364. You
Center. 0351-4290280
documentaescenicas@gmail.com
http://www.documentaescenicas.blogspot.com/
Address: Cipriano Arguello Pitt
Hours: Monday through Friday from 18 to 20 hours
Billboard
Ricardo Reyes
Saturday July 21:30
texts Fiction on Richard III (Shakespeare)
Argentina. Half of the twentieth century. A rebel faction of the army bombarded the city with the aim of killing Perón. The confusion, the urgency of events and the danger Queen outside the characters have met in a room of party propaganda, where while waiting for news from abroad, will be plotting their relations motivated by the desire, deceit, or manipulation.
direction and general assistance: Marcelo Arbach, Franco Neck.
Action: Liliana Angelini, Natasha Cienzo, Carlos Lima, Marcelo Arbach.
scenic and Image Design: Miguel De Lorenzi
Lighting Design and Installation: Emilio Diaz Abregú
Production Support: Barbara Brailovsky
sound installation: Luis El Halli Obeid
Co: ECS TeatroDocumenta / EscénicasSecretaría of Culture of the Province of Córdoba
Gúérfanos
The release Friday July 17, 21.30hs
"... Love is like the 8 ... round, round ..."
Action: Adrian Azaceta Cismondi Carolina, Sandra Criolani, Daniel Maffei, Stephanie Moya, Martin Smith.
direction and dramaturgy: Jasmine Sequeira
Center. 0351-4290280
documentaescenicas@gmail.com
http://www.documentaescenicas.blogspot.com/
Address: Cipriano Arguello Pitt
Hours: Monday through Friday from 18 to 20 hours
Billboard
Ricardo Reyes
Saturday July 21:30
texts Fiction on Richard III (Shakespeare)
Argentina. Half of the twentieth century. A rebel faction of the army bombarded the city with the aim of killing Perón. The confusion, the urgency of events and the danger Queen outside the characters have met in a room of party propaganda, where while waiting for news from abroad, will be plotting their relations motivated by the desire, deceit, or manipulation.
direction and general assistance: Marcelo Arbach, Franco Neck.
Action: Liliana Angelini, Natasha Cienzo, Carlos Lima, Marcelo Arbach.
scenic and Image Design: Miguel De Lorenzi
Lighting Design and Installation: Emilio Diaz Abregú
Production Support: Barbara Brailovsky
sound installation: Luis El Halli Obeid
Co: ECS TeatroDocumenta / EscénicasSecretaría of Culture of the Province of Córdoba
Gúérfanos
The release Friday July 17, 21.30hs
"... Love is like the 8 ... round, round ..."
Action: Adrian Azaceta Cismondi Carolina, Sandra Criolani, Daniel Maffei, Stephanie Moya, Martin Smith.
direction and dramaturgy: Jasmine Sequeira
Monday, March 12, 2007
Is Impetigo The Same As Cold Sores
Red Bumps Inside Of My Lips
Address: Fructuoso Rivera 541 - B º Güemes
Opening: 1985
Director: Paco Giménez
E-mail: casticor @ tecomnet . com.ar
Tel: 0351-4604035
space measures: 7mts wide x 16 mts. long.
Capacity: 60 to 70 spectators
spaces: living room, reception area, bathrooms, kitchen.
Is Quinine And Element?
Almazenna The Garage Theatre Theatre
Press and Publications: Jesus Diaz Barrionuevo
Art Direction and Programming: 
EXPRESSIVE RESEARCH CENTER
POPULAR LIBRARY PROF. CARLOS AND Malich LEGUIZAMON
nonprofit Association Res Pers . Legal 101 "A" / 02
9 July 4331 - will: 0351-4845065
nonprofit Association Res Pers . Legal 101 "A" / 02
9 July 4331 - will: 0351-4845065
Press and Publications: Jesus Diaz Barrionuevo
Art Direction and Programming:
Artemia Barrionuevo, Susana Gómez Melchiona
Do Women Have Clitiors
Magariños. Culture Club
Address: Alejandro Magarinos Cervantes General Bustos 688 B º
Opening: 2003
Responsibility: Rena Martin, Milagros Bonansea, Sebastian Tomatis
hours: Tuesday to Sunday from 16hs.
E-mail: magarinios@gmail.com
Tel 0351-4712478
space measures: 8x9mts
Capacity: 35 to 60 spectators.
service bar, two public restrooms, dressing room with private bathroom, kitchen, foyer. 
Address: Alejandro Magarinos Cervantes General Bustos 688 B º
Opening: 2003
Responsibility: Rena Martin, Milagros Bonansea, Sebastian Tomatis
hours: Tuesday to Sunday from 16hs.
E-mail: magarinios@gmail.com
Tel 0351-4712478
space measures: 8x9mts
Capacity: 35 to 60 spectators.
service bar, two public restrooms, dressing room with private bathroom, kitchen, foyer.
Milena Velba-vikipedija
RED ROOMS-ROOMS IN RED
is an instance of reflection, analysis and where you create, implement and proposed actions for the promotion, dissemination and expansion of artistic activities taking place in the Independent Theatre.
While every place can be a theater where permitted the actions of actors and the presence of spectators, independent theaters are more than architectural spaces supports artistic and cultural project diverse and inclusive.
Network de Salas as convergence, is based on the interaction of two trends: a self-affirming that preserves individual autonomy and the integrative trend that makes us part of a larger unit.
The balance between integration and self-assertion between two complementary trends, causes the system to be flexible and open to change.
Thus the focus is no longer the evolution of project but the co-evolution -environment project.
The interrelationship of the goals of our organizations create a web of ideas and action that affect the culture.
Thus Chambers Network is a historic opportunity to operate together, not only for the survival of our spaces, but by the introduction of a combined power of independent cultural artistic proposals.
They call us questions and questions. On the one hand the resolution of specific situations with the institutions with whom we interact. For claims for the activities of our rooms (and those to come) participated in the creation of ordinances, agreements for ratings, joint communication programs, basic agreements for the operation, ticket cost criteria, and other contracts.
On the other hand, the question we move with respect to the meanings and the meaning of the task. The assumption, or not, the "counter-culture", the deepening of ties and the tensions and strains belonging.
Network holds horizontal and generated empirical consultation procedures for decision making. Communication has long been virtual. At different times different people have triggered representatives to expedite the task. These representatives have placed their trust and care for the ideas. Experience has returned several results that constitute the history of our relationship.
In addition to meetings that require immediate resolutions emerging difficulties mostly unclear policies regarding independent spaces (beyond the depletion suffered by the term) alternative.
We deal look inside and say who we are and what are our visions and missions. Aware that the emerging model, the dichotomous categorization judge our infrastructure associated with theaters that do not pretend to be.
Our projects have not been to build a theater equal to none. On the drive between our potential and emerging needs of these spaces, mostly handmade, they have the ongoing benefit of our daily work.
Our theaters are centers of artistic production, reservoirs that feed and nourish the culture.
The network of rooms and an open instance in operation since 1998 and comprises fourteen rooms in the city of Cordoba. 
is an instance of reflection, analysis and where you create, implement and proposed actions for the promotion, dissemination and expansion of artistic activities taking place in the Independent Theatre.
While every place can be a theater where permitted the actions of actors and the presence of spectators, independent theaters are more than architectural spaces supports artistic and cultural project diverse and inclusive.
The balance between integration and self-assertion between two complementary trends, causes the system to be flexible and open to change.
Thus the focus is no longer the evolution of project but the co-evolution -environment project.
The interrelationship of the goals of our organizations create a web of ideas and action that affect the culture.
Thus Chambers Network is a historic opportunity to operate together, not only for the survival of our spaces, but by the introduction of a combined power of independent cultural artistic proposals.
They call us questions and questions. On the one hand the resolution of specific situations with the institutions with whom we interact. For claims for the activities of our rooms (and those to come) participated in the creation of ordinances, agreements for ratings, joint communication programs, basic agreements for the operation, ticket cost criteria, and other contracts.
On the other hand, the question we move with respect to the meanings and the meaning of the task. The assumption, or not, the "counter-culture", the deepening of ties and the tensions and strains belonging.
In addition to meetings that require immediate resolutions emerging difficulties mostly unclear policies regarding independent spaces (beyond the depletion suffered by the term) alternative.
We deal look inside and say who we are and what are our visions and missions. Aware that the emerging model, the dichotomous categorization judge our infrastructure associated with theaters that do not pretend to be.
Our projects have not been to build a theater equal to none. On the drive between our potential and emerging needs of these spaces, mostly handmade, they have the ongoing benefit of our daily work.
Our theaters are centers of artistic production, reservoirs that feed and nourish the culture.
The network of rooms and an open instance in operation since 1998 and comprises fourteen rooms in the city of Cordoba.
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